which they most clearly enunciate a monstrous poetics aimed at denaturalizing patriarchal normativity. Especially,Both of those are productive and the two are hazardous—monstrous—but it is only in that Threat that new worlds are cast. This is certainly what her operate does: it forges new worlds. Travesti worlds. As well as in so accomplishing,
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as opposed to motive. These monsters discover by means of gesture, search, and pose. The especially embodied character of the monstrosity can make it effective at proposing a new epistemological lens through which to understand the body and its movements.Shock’s “Yo monstruo mío” coalesces a eyesight of monstrosity that serves to undermine g
It represents the pretty ambiguity which makes secure matter positions untenable; it reveals subjective contingencies. To occupy the posture of monster—to monster—is to reject androcentrism as well as temporalities and geographies inherent to such a worldview. To monster can be an embodied rejection of incorporation through the condition, its c